The only person who knew this ending was coming was Tod Browing. … The script pages … were not even delivered until the third week. … The actors were f***ing furiously pissed … because they had been playing it straight.
— Terror Transmission,
Mark of the Vampire @1:29:07
Carroll Borland as Luna is very influential in the history of horror films. There would be no Morticia Addams, … Vampira, … Elvira … without this character. … What about Tammy Faye Bakker?
— Terror Transmission,
Mark of the Vampire @0:45:20
That bullet hole is self-inflicted because he strangled his daughter. … In the original script, they were having an incestuous love affair together and … Count Mora could not live with the guilt.
— Terror Transmission,
Mark of the Vampire @0:42:03
[Barbara Shelley] swallowed a fang. … Terry Fisher said … ‘Don’t worry. We’ll get it tomorrow when it comes out.’ … And then just shove it back in your mouth.
— Terror Transmission,
Dracula: Prince of Darkness @1:34:41
Barbara Shelly was the most prolific Hammer actress. She was in 8 Hammer films; 7 of them were horror films.
— Terror Transmission,
Dracula: Prince of Darkness @1:24:26
Francis has left his wife at a crossroads. Doesn’t he know? Crossroads: not okay! … I don’t even mind her little dented chin. … It’s not quite a butt-chin.
— Terror Transmission,
Dracula: Prince of Darkness @1:10:01
He’s got a hell of a tan for a Brit. … Is that a gold chain? That’s a gold chain around his neck. He’s a playa.
— Terror Transmission,
Dracula: Prince of Darkness @0:50:18
[re: barely bridled sensuality] I think it’s been unleashed by Dracula’s naked caress of his fangs on her lovely white neck. For some it’s Count Dracula; for others it’s a few bottles of Boone’s Farm.
— Terror Transmission,
Dracula: Prince of Darkness @0:41:21
[re: smokey recap] It’s a wonderful effect. … You understand right away that you’re watching something … that happened a long time ago in a galaxy far, far away. Huh. Cushing. Star Wars. I get it.
— Terror Transmission,
Dracula: Prince of Darkness @0:22:43
It’s actually [Bruce Campbell] doing the stunts. … And you’re kind of rooting for him, and yet enjoying the abuse at the same time. I often feel torn in real life in that way.
— Terror Transmission,
The Evil Dead @1:32:58
This one’s a horror film. Evil Dead 2, there’s not really any horror in it. It’s very much played for slapstick comedy. … Army of Darkness really takes a distant third for me. I agree.
— Terror Transmission,
The Evil Dead @0:52:58
That’s an interesting gift for your romantic partner: … a magnifying glass. … So my johnson looks bigger to you? … And you look like Colonel Klink from Hogan’s Heroes? Who has that fetish?
— Terror Transmission,
The Evil Dead @0:43:31
[re: demonic possession] And I draw the line there, by the way. If a girl’s zombified, I don’t care if she’s a midget or if she’s— Canadian. Canadian. … I say no way.
— Terror Transmission,
The Evil Dead @0:32:36
In this decade, for Karloff, he had a TV show. … He was all over the cover of magazines. … And of course he was still doing a lot of film work, as well. Did he do Playgirl?
— Terror Transmission,
Mad Monster Party @0:07:57
She says, ‘… I don’t have any money.’ And he looks at her hand, and she’s got that … giant diamond ring— That she was obviously trying to hide. … And he gives this … great look. It’s the look I give almost everyone all the time.
— Terror Transmission,
Mad Love @1:19:42
Even a guy who’s crazy weird lookin’ like this guy? Yeah? Enough booze, enough misfortune, enough manipulation, I think he could get one night of grief sex. … Don’t work hard. Work smart.
— Terror Transmission,
Mad Love @0:59:37
That’s a heck of a train wreck. … They did a really job with the up-turned car and everything. No CG there.
— Terror Transmission,
Mad Love @0:51:38
I like her wince when Lorre kisses her hand. Immediately! … There’s an olfactory sense that she has that she can’t stand this guy.
— Terror Transmission,
Mad Love @0:42:24
Here are the peasants. They’re finally making their way to the outside of the castle. With their infectious dead in a cart! ‘Please let us in!’
— Terror Transmission,
Masque of the Red Death @1:09:45
Nothing is funnier than a dwarf and a gorilla. Seriously.
— Terror Transmission,
Masque of the Red Death @1:03:03
Time magazine writes of Hazel Court that … ‘you could sink the entire works of Poe and a bottle of his favorite booze in her bosoms.’
— Terror Transmission,
Masque of the Red Death @0:17:36
Nicholas Medina— Maximillian wrestles him for half a minute and he falls in the pit and that’s it. And then that’s it. It’s really horrible, that kind of an ending for him. It’s very unfortunate. It’s dumb.
— Terror Transmission,
The Pit and the Pendulum @1:33:51
Okay, we have Vincent Price catatonic. … Single greatest Vincent Price moment in motion pictures is when his expression goes from catatonic and he gets that smile and he starts laughing.
— Terror Transmission,
The Pit and the Pendulum @1:23:30
[The pendulum] is the coolest way to die. … It depends on how slowly it descends, ’cause you want to get it over quickly. You don’t want it to papercut you for 40 hours.
— Terror Transmission,
The Pit and the Pendulum @0:42:44
I wish I had a whole lot more money, so I could take design tips from all the interior shots in all these AIP movies. No kidding. They’re absolutely beautiful.
— Terror Transmission,
The Pit and the Pendulum @0:36:33
I am starting to recognize some of the sets. Yeah. [laughter] They’re redressed, obviously, from [Fall of the House of] Usher. And they’re redressed cleverly enough.
— Terror Transmission,
The Pit and the Pendulum @0:30:14
The song, by … Burt Bacharach. … That actually made the Billboard Top 40. Hmm. Should I sing it again? No! ♪♫It creeps / and leaps / and glides and slides / across the floor…♪♫ Na na na! I don’t hear you!
— Terror Transmission,
The Blob @1:24:37
The Blob looks kinda yummy. … It does. It looks kind of like a mixture between bubblegum and Jell-O.
— Terror Transmission,
The Blob @0:47:43
Oh! And there’s the … first time you see the Blob. … It’s basically time lapse photography done on miniatures. … Now, is there any strawberry jam in there? … Well, it had just eaten Olin Howland, so it should have something in there.
— Terror Transmission,
The Blob @0:46:07
Now they’re gonna race for pinks … just like in Grease! … Imagine if the Blob was in Grease, like it ate Danny and Kenickie and slowly made its way thru the Pink Ladies.
— Terror Transmission,
The Blob @0:37:23
Why is Scotty sitting there, with him, watching him play solitaire? … That’s kind of a contradiction. … He can’t share it. … That’s ‘dualtaire’.
— Terror Transmission,
The Thing from Another World @1:19:30
This is the stethoscope. Listening to the crying little creatures inside [the seedpods]. eeee. mama. blood.
— Terror Transmission,
The Thing from Another World @1:13:57
They’re all whispering, and they’re walking down the hallway. And they’re coming coming upon the door. And this is one of the best jump scares ever filmed in a motion picture.
— Terror Transmission,
The Thing from Another World @1:09:46
‘Let’s chop it out of the ice with our pickaxes.’ Right? How do you do that?! … Did you see the ice bounce when he hit it with the ax? [laughter] Oh yeah, that’s real ice.
— Terror Transmission,
The Thing from Another World @0:34:13
Look how big the TV clicker is. Yeah. It’s gigantic. It’s almost as big as the sound board we’re using.
— Terror Transmission,
Rosemary’s Baby part 2 @1:00:21
And here she’s figured it out: [Steven] Marcato is Roman Castevet—which isn’t worth that many points in the Scrabble paradigm. … ‘Roman’ is worth 7 and ‘Castevet’ is worth … 13.
— Terror Transmission,
Rosemary’s Baby part 2 @0:32:18
You know what else Ralph Bellemy was in? … Pretty Woman. Uh, I try to forget these things. You know, before I changed genders, that was one of my favorite flicks, but since, I can’t watch it. Wow.
— Terror Transmission,
Rosemary’s Baby part 2 @0:08:42
Every time I see Maurice Evans … I always think he looks like Winston Churchill. … He’s got that same kinda— He’s got the eyes. … Him and most newborn babies [laughter] all look like Winston Churchill.
— Terror Transmission,
Rosemary’s Baby part 1 @0:47:40
Warren Beatty … was considered [for Guy]. … His answer to them was ‘I would like to play the role of Rosemary.’ That was how he turned them down. Unfortunately. … I really would’ve liked to have seen him in that wig.
— Terror Transmission,
Rosemary’s Baby part 1 @0:17:20
Maria just said goodbye to her father. And we should say goodbye to Maria, too. Yeah. … Goodbye, Maria! [laughter] See ya! … Watery grave.
— Terror Transmission,
Frankenstein @1:52:41
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